Cinnedi’s metamorphosis from bass music storyteller to techno provocateur hits like a sledgehammer on “Rush.” After crafting the sprawling “Seven Deadly Sins” saga, she’s ditched both the “O” in her name and any trace of compromise in her sound.
The result? A relentless 128 BPM descent into dystopian techno that makes her previous work sound practically pastoral. Where “Seven Deadly Sins” painted elaborate portraits of pride, addiction, and redemption, “Rush” opts for straightforward sonic warfare – all atmospheric menace and mechanized fury. It’s the sound of an artist torching the rulebook she wrote herself.
“Rush” suggests Cinnedi’s not just changing lanes – she’s building her own highway straight into techno’s dark heart. Sorry, bass music – she’s got new demons to chase.

Categories: Music