"If you actually love one thing you push ahead," Ephwurd on restarting the challenge as a solo enterprise after Datsik fallout [Interview]

"If you actually love one thing you push ahead," Ephwurd on restarting the challenge as a solo enterprise after Datsik fallout [Interview]

Just a handful of years in the past, as bass home was weaving its not-so-subtle stylings into the worldwide digital anterior, Ephwurd was swiftly ascending as one of many style’s most fun forces. Fielding a shredding, high-impact sound design and securing a wall-to-wall library of competition bookings, Ephwurd’s Basie Hauser and Troy Beetles (Datsik) had been locked and loaded on the flip of 2017 to resume their quickly accrued success heading into 2018.

But their momentum would quickly flatline as resolutely because it started. Rumors of Datsik’s sexual misconduct gave strategy to full-fledged testimonials aimed on the Firepower Records label founder, spanning years of alleged abuse. Datsik stepped down from Firepower, his illustration dropped him; and almost in a single day, the Ephwurd challenge got here to an emphatic halt. Hauser promptly cancelled all efficiency stops and rightfully opted to take a while off to recalibrate.

“It was heartbreaking,” Hauser tells EDM All Day. “There was loads occurring. When all that stuff occurred I used to be like, ‘Okay let’s take a step again, reevaluate every little thing, and go from there.’”

A 12 months later, Hauser is selecting up the place he left off—properly, form of. Describing the challenge’s relaunch as a solo enterprise, Hauser says he has each intention of perpetuating the bass home coronary heart of Ephwurd into the revamp, although he’s eager on dousing it in additional non-electronic experimentation. Born right into a musical household, Hauser found firsthand and at a ripe age what success appeared like in such a wildly aggressive business. His father, Tim Hauser, was a member of the Grammy-winning jazz ensemble, The Manhattan Transfer.

While resolving to maintain the challenge alive as a one-man present, Hauser has allowed for time to rectify a few of the residual apprehension surrounding the Ephwurd masthead. Since the Datsik information broke in March of 2018, Hauser has launched simply two Ephwurd-branded tracks: the uncharacteristically emotive, “Everywhere I Go,” and the aptly named collaboration with SWAGE, “Hectic,” which arrived early February.

The former got here outfitted with a letter to his fans final July, wherein he addresses the claims introduced in opposition to his former associate and the methods wherein he and people related to the challenge felt the reverberations immediately.

“…Within hours after the information broke, every little thing we labored so laborious to construct had utterly fallen aside…

Next to dropping my father, these first few days had been a few of the hardest I’ve ever confronted. I didn’t wish to see or speak to anybody.

As for the accusations in opposition to Troy, that’s not the man I do know. Coming to the mutual settlement of eradicating him from the challenge was a heart-wrenching day for me, nevertheless it needed to be accomplished. I’m respecting his choice to remain personal and need the most effective for him…” wrote Hauser.

Today, the “Check It Out” producer says his pipeline is brimming with new materials. As of now, he’s placing ending tweaks on 20 odd tracks, a lot of which is able to see launch in coming months. His primary targets: ensuring the genre-specific sound doesn’t turn into too “stale,” and bringing Ephwurd’s former glory “updated,” by means of borrowing from previously untapped inspiration.

“I wish to experiment with [genres], be it sampling previous jazz or funk data or arising with chord progressions that may be utilized to bass home,” Hauser says.

A scandal of a lot lesser proportions than Datsik’s could possibly be liable to finish the profession of all these previously related to the accused. But, for Hauser, turning the lights out on the Ephwurd challenge, which he affectionately deems his “child,” was by no means an choice. Despite any rivalry left in its wake, Hauser doesn’t see Ephwurd as past salvaging. In truth, his perspective is kind of the other.

“I considered it for a very long time,” Hauser says of his choice to breathe a second wind into Ephwurd’s sails. “At the top of the day, I put in a lot time to this challenge: actually blood, sweat, and tears. I really like this challenge… If you’re keen on one thing, you nurture it and also you don’t simply depart it. If you actually love one thing you push ahead, and take care of the nice and unhealthy and attempt to persevere.”

Below is a frivolously edited transcript of EDM All Day’s dialog with Basie Hauser on the way forward for Ephwurd. The interview was modified for readability and readability.

Tell us about the way you began making music, the place did your journey start?

My dad was truly a vocal singer on this group known as The Manhattan Transfer. He ended up changing into an accountant and hated it a lot that he give up his job and have become a taxi driver, singing on the facet. Eventually he began this group, The Manhattan Transfer, which went on to be nominated for/win like 16 Grammys.

I grew up touring the world with him, going to jazz festivals, assembly all these legendary jazz performers. I’ve at all times been immersed in music. I like jazz, nevertheless it was by no means my favourite style of music. Around highschool, you already know that point once you actually uncover what music you want. Everybody hears the Beatles or one thing and will get this instant response like ‘Oh my God! This is wonderful.’ For me that was after I heard Aphex Twin. My first time listening to digital music was the likes of SquarePusher, Boards of Canada, these like early ’90s Warped Records artists. I went from listening to rock ‘n’ roll and jazz to this loopy manufacturing I’d by no means heard earlier than.

Bit by bit, I began doing my analysis and discovering parts like ‘Oh, I ponder what sampler this man used to make this.’ This is earlier than Ableton or Logic or DAWs had been extensively adopted by individuals. It was cool as a result of I began studying loads about analog synths and previous samplers, form of simply figuring it out from there. And close to the top of highschool I found Ableton and I’ve been on it ever since.

Ephwurd skilled an enormous upward swing in 2017. How do you propose to regain that momentum now as a solo enterprise?

Making as a lot music as attainable. I’ve taken nearly a 12 months off now and on daily basis now I’m both within the studio or even when I’m simply mendacity in mattress, I’ll have my laptop computer with me arising with concepts to take to the studio later. At the top of the day music is a very powerful factor, and the extra you’ve gotten of it the higher. I believe persistently placing out content material will most likely assist. Back in 2017 we had been writing a ton of content material and I believe that’s what helped us a lot. As lengthy as you’re continually making music you’re keen on, you simply hope individuals will hear and comply with.

Stylistically, what modifications can we count on?

I wish to hold the center of the Ephwurd sound intact, however introduce new concepts; evolving as an artist at all times entails that. I’ve at all times liked funk music, so I wish to experiment with that—be it sampling previous jazz or funk data or arising with chord progressions that may be utilized to bass home. Finding methods to convey these genres to bass home. Experimentation is the important thing to rising, so I hope to do this for the remainder of my life.

A style will get stale when you hear the identical factor so many instances.

What forces drove your choice to proceed producing underneath the Ephwurd masthead regardless of the potential threat of rivalry?

I considered it for a very long time. At the top of the day, I put a lot time into this challenge: actually blood, sweat, and tears. I really like this challenge; it’s my child. If you’re keen on one thing you nurture it and also you don’t simply depart it. If you actually love one thing you push ahead, and take care of the nice and the unhealthy and attempt to persevere.

When the allegations in opposition to Datsik surfaced, and compelled you to step again for some time, how did that have an effect on you individually?

It was heartbreaking. I made a decision Ephwurd needed to cancel all [our] exhibits and to form of take that point to regroup and rebuild every little thing. I believe it’s been one of many healthiest issues for me as a result of I acquired to take the time to simply be a human—taking the time with my household and associates, not simply touring. I’d been on the highway for the previous six years, and it’s exhausting. The break day was a godsend as a result of I used to be in a position to hold engaged on music and uncover new issues about myself. I’m truly actually appreciative of it.

What can we count on from the revamp in 2019?

There’s loads of stuff within the works, by way of new music. From the previous six months I’ve like 20 tracks which can be completed however I wish to ensure they’re the most effective they are often. You can count on much more music. New sounds and the previous sound too, however bringing it updated.


Hauser has asserted that he and Datsik break up up the DJ/manufacturing work evenly; regardless, a segue to manning a solo act stands as a momentous activity even with out such a controversial catalyst. Fortunately for Hauser, he has business know-how, unequivocal resolve, and redemptive battle wounds in his nook, affording him an opportunity to take again the success he solely simply started to style again in 2017.